Event – Audiovisual Mediations of Alberta’s Petroculture & Situating Le Caine’s 1945-1948 Sackbut…

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Carleton Music & Culture Graduate Students Society Colloquium Series

“Situating Le Caine’s 1945-1948 Electronic Sackbut Between DIY and Commercial Synthesizer Design”

with Dr. Ezra J. Teboul

&

“Audiovisual Mediations of Alberta’s Petroculture”

with Dr. Jamie Meyers-Riczu

Friday – 18 October 2024 – 12:30-2pm EDT – Jacob Siskind Music Resource Center, MacOdrum Library 503, Carleton University

Dr. Ezra J. Teboul is an artist, researcher, librarian, and archivist working with electronics. They currently hold a PhD in Electronic Arts from Rensselaer Polytechnic Institute. They edited “Modular Synthesis: Patching Machines and People,” the first academic collection on the topic, with 39 contributors from 6 countries. Their academic work as well as their music can be found at redthunderaudio.com.

Dr. Jamie Meyers-Riczu is a SSHRC Postdoctoral Fellow at Carleton University and an instructor in music history at Concordia University of Edmonton. She earned her PhD from the University of Alberta in 2021 with a SSHRC-supported dissertation that examined expressions of heroic masculinity in Franz Liszt’s symphonic poems “Tasso” and “Mazeppa.” Jamie’s research interests span from music-text relationships in 19C program music to local music histories. Watch for her forthcoming article titled “‘Goin’ to the Big Oil Show:’ Celebrating Oil in Song in Devon, Alberta” that will appear in “Critical Perspectives in Petrosonics” (2026).

Feature Image: Aerial View of oil leases in the Pembina oil field in winter. January 2008. “Alberta oil field” by Qyd is licensed under CC BY-SA 3.0.
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Jamie Meyers-Riczu

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